Left: Textile fragment from the publication 'Antichi Tessuti Peruviani'
Right: John Brett's 'Glacier of Rosenlaui' 1856

Earth-Speech, 138 High Street, Cranleigh, 2020

Found images (2020)

I'm glad the days are getting lighter, driving home in the dark isn't fun.

Same, it meant I could finally get the string out of a tree on my way home from work. It's been snagging at me for weeks.

Plastic, metal staples (2020)

I scraped at your stone pages, trying to read you / crumbling, imparting nothing / with dustry calloused fingertips, I am none the wiser

Ich kratzte an deinen Steinseiten und versuchte, dich zu lesen / Im Zerfallen, ohne etwas preiszugeben / Mit staubigen, schwieligen Fingerkuppen bin ich so klug wie zuvor

with thanks to Corinna Krause for her sensitive and precise translation

Weit Genug/ Far Enough, Angermünde Klosterkirche, 2016

Ink on emulsion, stoneware vessels (2016)

Camberwell College of Arts Degree Show 2015, London

Stone, laserjet prints, tissue, resin, acrylic, dust, graphite (2015)

Camberwell College of Arts Degree Show 2015, London
Summer Salon, Angus-Hughes Gallery, London, 2015

Plaster moulding, stone, graphite, slate, charcoal, paper, inkjet print, postcard of William Morris from my Grandmother, etching by Stephen Dalley given to me by Eleni Papazoglou

neo:artprize2015, neo:gallery27, Bolton, 2015

Inkjet print, laserjet prints, graphite on paper, stone (2015)

In one place
(breathing in another)

Emulsion on laserjet prints (2015)